We start from the photography you already own and build the films you were never able to shoot. No crew, no shoot day, no room out of service.
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We start from the photography you already own and build the films you were never able to shoot. No crew, no shoot day, no room out of service.
Scroll to press play
Weeks before the reservation, your guest has already been there. They have imagined the shutters opening, the pool before anyone else is awake, the light crossing the terrace at seven. That is where the booking is won, and it happens on a screen, in silence, close to midnight.
A photograph suggests it. Motion lets them stand inside it for six seconds, which is exactly long enough to stop scrolling and start wanting.
71%
of travellers say video shaped where they went
24%
say the same of a photograph
Expedia Group · The Science of Wanderlust · 2025
Your property is already cinematic. So far it has only been photographed.
Every channel you sell through now asks for motion: Reels, Stories, paid creative, your website, the listing where a competitor is already moving and you are not.
So the shoot gets proposed, costed, and quietly postponed to next year — not because of the invoice, but because of everything the invoice does not mention.
01
Your best room out of inventory for two days, in the season it is worth the most.
02
Crew, stylist, models, your GM, the weather and the season, all agreeing on one date two months out.
03
A single week of production asked to feed twelve months of channels. It never quite does.
€8,000–15,000 per campaign · two months of lead time
Finding the money is the easy part. Finding your best suite, free, on a Tuesday in August, is not.
Nothing blocked, nothing closed, nobody on the property. We begin with the photography you have already paid for, and build the film that shoot could never deliver.
We read your archive the way a director reads a location scout: the geometry of each room, the way light lands, the frames that hold a story.
Then we go past the frame. New angles, new hours, new seasons, built on the room as it actually is and art-directed to your brand codes.
Cut to the placement instead of cropped to fit it. Website, Reels, Stories, paid, OTA, newsletter. Captioned and ready to publish.
What that opens up
The suite from the doorway, the corner nobody could stand in, the detail that fell outside the frame.
A room photographed at noon, delivered at golden hour. The terrace at blue hour, without waiting for one.
Festive creative approved in July. Summer campaigns ready in February. Ahead of the booking window, not behind it.
Rain on the glass, mist on the water, low winter light. The days your shoot never landed on.
Everything is anchored to the property as it actually is. We extend your hotel. We never invent one.
You could run your gallery through an AI generator this afternoon. So could anyone. What almost nobody has is the judgement that comes before the tool opens: which frame carries a story, which angle is worth inventing, and which would betray the room.
Volume studios need every hotel to want the same six templates. We take a handful of properties instead, because the only question worth starting from is what this one needs next.
Website
A directed film for your homepage and direct-booking pages, where the decision is actually made.
Social
Vertical volume cut to the rhythm of the platform rather than stretched to fit it.
Paid
Variants and hooks shaped by what performs, not by what looks good in isolation.
Listings, seasons & email
Video for listings where competitors still show only stills, seasonal edits prepared months ahead, and newsletter visuals that move.
You will never see the machinery. You will only see your hotel, finally in motion.
Where the photography ends, direction takes over. Cut for the placement, never cropped to survive it.
One of us spent years working out what actually fills a five-star room. The other spent them making things look like they are worth it.
Growth & Paid Media
Years inside luxury hospitality agencies, running direct-booking and paid campaigns for five-star properties across three continents and some of the best cities in the world. He has watched, repeatedly, which creative fills rooms and which just fills a feed.
Creative Direction
Founder of Pezzo di Studio, with years of creative work for Prada, Versace and Dolce & Gabbana. He decides what each frame is allowed to do.
Five founding properties, at founding rates. Videos are single frames brought to life, five to ten seconds, built for volume. Films are directed multi-scene edits, 15 to 60 seconds: the signature pieces for your website and campaigns.
Pilot
Judge the craft before committing to it
€990€690
One-off
Credited in full against whatever you book next
Campaign
One moment, done properly
€1,500€990
One-off
For an opening, a season or a rebrand
Season
Content that arrives with the season
€2,900€1,900
Per season
€1,600 per season on a full year
Planning something larger, a rebrand, a multi-property rollout, a full campaign? Let's talk about a custom project.
If yours is not here, the Archive Review is the fastest way to get it answered.
Almost none of it was taken with video in mind, and that is expected. We select the frames with the most potential and build around the rest, which is exactly where going past the frame earns its keep. If an archive is too thin to do you justice, we will say so before you commit.
Understandably, because most of what people have seen is a tool pointed at a gallery with nobody deciding anything. We use generative tools the way a retoucher uses Photoshop: as an instrument, under direction. Selection, pacing, grade and final approval stay with us. And there is a hard line underneath: we extend your property, we never invent one, and nothing leaves the studio that a guest could arrive and find untrue.
As far as the property allows, and no further. If your suite has three windows it has three windows in every frame, including the ones nobody photographed. We build new viewpoints, new light and new seasons on the real geometry of the rooms. We will not add a pool, a view or a suite you do not have.
The Archive Review comes back within three business days. Once you are booked, the first batch lands within two weeks, and across a Season the rest arrives in planned waves rather than one drop at the end.
Yours, with no expiry and no per-use fees: website, direct-booking pages, paid campaigns, OTA listings where competitors still show only stills, newsletters, and MICE material. We cut to the placement rather than handing you one file to crop.
No, it extends them. Great photography is the raw material we start from, so the better your shoots, the better the films. Keymotion sits between them, keeping the archive working all year instead of idle.
Send an Instagram handle or a gallery link. We come back with an honest read of what to make first, and it is yours to keep whether or not we work together.
01
The images with real cinematic potential, and the rooms and moments you are underusing.
02
What a guest actually sees on the way to booking, and which formats you are missing.
03
The one piece that would move the needle first, and why it is that one.
or alessio@keymotionstudio.coCopied